Book published on the occasion of the exhibition “Jiménez Deredia en Puerto Banús, El Viaje de la Vida”. It includes a text by Maria Amoretti Hurtado, professor emeritus at the University of Costa Rica. The graphic design, layout, and photography were by French photographer Quentin Martinez.

Book published on the occasion of the exhibition “Jiménez Deredia en Miami, un Puente de Luz.” It includes a text by the renowned art critic and university professor Kosme de Barañano. The book also includes a critical anthology of outstanding writings on the work and thought of Jiménez Deredia.

In this second volume, emeritus university professor María Amoretti Hurtado focuses on placing the work of maestro Jiménez Deredia in the context of the era, within the broader discussion about the role of art within modernity and the global economy.

Catalog published for Jiménez Deredia's exhibition at the Art of the World gallery in Houston, Texas, which ran from January 18 to March 17, 2018. It includes a text by Catherine D. Anspon, renowned journalist and editor of Houston's Paper City Magazine. The catalog's introduction was written by Nobel Peace Prize laureate and former President of Costa Rica, Dr. Oscar Arias Sánchez.

Book published on the occasion of the exhibition “Deredia a Lucca. l’Energia Cosmica nelle Sculture di Jiménez Deredia” with a critical text written by the renowned Italian critic and art historian Vittorio Sgarbi. The book also includes a critical anthology of outstanding writings on the work and thought of Jiménez Deredia.

Jiménez Deredia presents his sculptural work in the depth of his thoughts, reflections, and inspiration through his first audiobook.

Jiménez Deredia freely and openly shares this production with his audience, without restrictions or conditions. Jiménez Deredia's thoughts are narrated by the excellent voice of Jorge Oller.

Release by: Ediciones Tributo – Costa Rica
Album release date: May 14, 2017

A book written by philologist Maria Amoretti Hurtado that places the thought and work of Jiménez Deredia within current trends in Latin American critical thought. It analyzes Costa Rican cultural identity and explores how it can be influenced in the current historical context. It describes how Deredia manages to influence the Costa Rican collective imagination with his cultural proposal and how it is possible to engage with the new Latin American cultural theory by thinking and dreaming big from a small Latin American country like Costa Rica.

Catalog published on the occasion of the Jiménez Deredia exhibition at the City of Arts and Sciences in Valencia, which runs from May 14 to September 30, 2015. Includes a text by renowned art critic and university professor Kosme de Barañano.

Book published on the occasion of the exhibition “Jimenez Deredia, una Génesis para la Paz en la Ciudad de México” with a critical text written by the Director of the Diego Rivera and Frida Kahlo House and Studio Museum, Mr. Luis Rius Caso. The book also includes a critical anthology of outstanding writings on the work and thought of Jiménez Deredia.

Catalog published for the exhibition “El Tiempo y el Espacio en la Escultura de Jiménez Deredia,” held in 2014 at the Ascaso Gallery in Miami, Florida. The catalog includes a critical text by George S. Bolge, Director of the DeLand Museum of Art in Florida.

The unexpected encounter between Costa Rican sculptor Jorge Jiménez Deredia and ecohistory—a research method used at the University of Pisa for several decades—is the subject of this article. Ecohistory, that is, the history of "inhabitation," allows us to study the civilization of all people, including civilizations defined as "without history" but which have in fact been forgotten by official history. For this reason, the "Route of Peace" project can be considered ecohistory because it studies and incorporates the ancient cultures of the American continent from a contemporary perspective.

This 160-page volume illustrates the Costa Rican sculptor's major exhibition in Sicily. Texts by art critics such as Enrico Crispolti, Pierre Restany, Antonio Aimi, Francesco Buranelli, and Cristina Giammoro, and journalists such as Fabio Isman and Geppe Inserra, introduce Jiménez Deredia's work to the contemporary myth scene. Trapani and Segesta are the settings that host the Deredian sculptures documented in this book with more than 60 photographs.

Following the publication of the historical novel "Jacobinos" (Jacobins), published by Barbariccia & Cagnazzo editori, writer Giuseppe Prantera Dimorano presents us with this delightful book about the adolescence of contemporary sculptor Jiménez Deredia. With his concrete and fluid style, both familiar and refined, the Italian writer describes the fascinating life of a Latin American school during the period of his greatest creative splendor.

Catalogue published for the exhibition "Deredia in Rome". The catalogue texts are by Enrico Crispolti, Fabio Isman, Antonio Aimi, Cristina Giammoro, and Francesco Buranelli.

Cristina Giammoro analyzes the birth of Transmutative Symbolism through the work of Jiménez Deredia. The introduction to this book is written by Enrico Crispolti, one of Italy's most important art theorists and critics.

Published on the occasion of the Florence exhibition “El Misterio de la Génesis en la escultura de Jiménez Deredia, “ which ran from June 14 to September 24, 2006. The master's works were exhibited in the Boboli Gardens, the Limonaia of the Boboli Gardens, the Pitti Palace, Piazza della Repubblica, and the Piazza della Galleria dei Uffizi. The book contains texts by Antonio Paolucci, Fabio Isman, and Litta Medri.

Catalog published for the exhibition at the Boca Raton Museum of Art, Florida.
September 10–November 9, 2003. Includes texts by art critic Pierre Restany and Museum Director George S. Bolge.

Catalog published for the 2005 exhibition of Maestro Deredia at the Versiliana Park in Marina di Pietrasanta, Italy. It includes texts by renowned art critics Antonio Paolucci and Pierre Restany.

A publication that offers an in-depth analysis of the philosophy of Jiménez Deredia, interviewed by philosopher Geppe Inserra. It includes texts by Geppe Inserra, Mariano Loiacono, María Amoretti Hurtado, and the renowned art critic Pierre Restany.

Published in conjunction with exhibitions at the following galleries: Galeria Ramis Barquet, Monterrey, Mexico from November 5 to December 20, 2004 and at the “Americas Collection” gallery, Miami from January to February 2005.

One of the last publications by art theorist Pierre Restany, founder of the "Nouveau Realism" artistic movement. The scholar paints an original portrait of Deredia, analyzing his works, life, and thought, describing an artistic evolution linked to symbolic motifs and ancient philosophies enriched by cosmological theories.

On the occasion of the inauguration of the statue of Saint Marcellin Champagnat, commissioned from Deredia by the Fabrica di San Pietro in the Vatican, a book was published illustrating the project's development and reconstructing the saint's life. The white Carrara marble sculpture is located in one of the external niches designed by Michelangelo Buonarroti for Saint Peter's Basilica in the Vatican and represents the first work by a non-European artist placed on this site of exceptional historical, artistic, and religious value.